It is easy to dismiss Stainer’s Crucifixion as the epitome of English musical disfunctionality in the nineteenth century. Yet, over years after its premiere at . 1 Music files. Complete work; Individual movements. 3. Processional to Calvary (Fling wide the gates); Hymn: Cross of Jesus. Founded in , the Huddersfield Choral Society has long been a major part of the town’s vibrant musical tradition. Under a succession of distinguished.

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In its favour, it unfolds iohn a seamless ease, never jolting the listener with gratuitous theatricality or the type of rhetorical intensity which the English find mildly embarrassing. He also introduced weekly choral celebrations of communion and processions while providing adequate rehearsal time to cope with an expanded and enhanced repertory.

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Don’t show me this message again. As is so often the case, however, all this worthy enterprise has long been forgotten, and today Stainer is remembered simply for The Crucifixion and a few rather fine anthems and hymn-tunes. Bach, the scheme of arias recitatives, choruses and chorales hymns reflecting that of the St John and St Matthew Passions. Turner and the Duke of Wellington, in Yet, over years after its premiere at Marylebone Parish Church inthis work still has a following.

The Crucifixion (Stainer, John) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

Gramophone products and those of specially selected partners from the world of music. How should we view The Crucifixion today? To those using these notes You are more than welcome to use all or part of these notes for your choral society or church programme, or for educational purposes. His good works must have been well noted in high places as in he was made principal of the National Training School for Music and his generous offices were rewarded by Staindr Victoria in with a Knighthood.

Particularly significant in the overall scheme of The Crucifixion cruciffixion the five hymns, which are designed for congregational participation. The structure of The Crucifixion is inspired by J. While Great Britain was making the running in most of the arts and crafts, music seemed barely to be on the agenda—at least joun far as home-grown talent was concerned.


Hyperion offers both CDs, and downloads in a number of formats. His oratorio, Elijahcomposed for the Birmingham Festival inand now with an English text, further endeared him to the British public and helped re-invigorate English composers into moving toward the European mainstream. The likes of Paxton, Alfred Waterhouse and George Gilbert Scott were erecting the grandest or most innovative structures, from sophisticated private residences and places of worship to the grandiose schemes of Whitehall and the Crystal Palace.

Is it nothing to you Bass The appeal of the crucified Recit. Whether you want to see what we think of today’s latest releases or discover what our critics cruciflxion of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.

Once again his administrative and scholarly skills were employed to great effect and he retained the post for a decade, retiring in Two years later, he died of heart failure, on 31 March, whilst holidaying in Verona.

Of these, Cross of Jesus must be counted amongst the finest of all hymn-tunes. Some years have passed since its first performanceand opinions are still sharply divided as to its worth. And then there were others, such as John Ruskin and William Morris whose brilliance shone over numerous arts and disciplines.

Although enjoying a close working relationship with any leading professional orchestras and conductors, the Society is a independent and self-governing amateur choir, drawing talented singers from a wide area across Yokshire and the north of England.

Retrieved from ” http: This file is part of the Sibley Mirroring Project. Instead they were regarded as merely sacred and dramatic, which seemed even to please everyone, even many a hard-line Nonconformist.

Introduction English In the monumental Victorian era, with Britain ruling the waves and at the zenith of its economic, military, industrial and imperial power, artists, architects, poets and polymaths seemed to be ten-a-penny. The all-time greats Read about the artists who changed the world of classical music.


Crucifixioh the passions, however, there is no orchestra to provide light and shade to accompaniments and add piquancy or punch to the drama. Given its immense popularity, Stainer obviously succeeded in the latter.

While the first performance was a success, the libretto, by the Reverend William Sparrow-Simpson would soon attract ferocious criticism and the music has also been vilified down the years. So thou liftest thy divine petition Bass, Tenor The mystery of intercession Recitative: He was an Oxford Professor, a general inspector of music education and held presidencies of several professional bodies.

Composition Artist Credits The Crucifixion.

Later in life, he was ever keen to acknowledge this period yhe of the utmost significance in his musical development. As to the forces: And one jhon the malefactors The adoration of the crucified Recitative: On the one hand there is the school of thought exemplified by this excoriating critic, writing back in This template was set before Victoria became monarch and Handelian oratorio, rather than opera, was setting the musical pulse of the nation.

The Crucifixion may be his only tangible musical legacy, but he is perhaps even better remembered by musicologists for his contributions to the discipline.

The Crucifixion (Stainer) – Wikipedia

Composition aside, he was a tireless worker for those around him, raising the standard of the choir to new heights, augmenting its numbers and making sure that salaries were raised to appropriate levels.

This is hardly to say that the British Isles were not awash with great music—they certainly were, but little of it was indigenous. After this, Jesus knowing that all things were now accomplished Tenor For the love of Jesus.

The Musical TimesNo. The Crucifixion – John Stainer – Contents 1 Performances 1.